FASCINATION ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are frequently craving romantics, with this big difference: Buster appears to be a plausible mate, plus the Tramp barely appears to possess a libido, only idealized notions. If their comedies had been built in a far more liberated time, it is achievable to imagine Keaton in bed with a woman, but disquieting to think of the Tramp as a sexual st